Stage 6: Lightning Phase

Really liking the lines in the previous stage, I decided to focus on that section. Boy, was that torturous. I didn't have the right motivation to even be in the studio and my head just wasn't working but I kept painting and rubbed the oil sticks all over that damn canvas.

After much frustration, I'm okay with where it's going, just not totally where it's at.

I do love the colors in the top left section and hope to bring some more of that to the upper portion as well as more contrast and drawing. It's not anywhere near what I was thinking it would be but I have to remember to stop thinking and just work.

Onward...

4th studio session of new painting

Sometimes it's hard to get into the studio. I don't mean like "I have too much to do" or "There's no inspiration" or "There's a truck in the way and it's on fire." But there are often other obstacles that I am not in control of.

If I have too much to do, I make time. It's important to let yourself have the time to do what you love, even if it's just a few minutes.

If there's no inspiration, that's the perfect time to paint! Your most creative moments may come out of working through it and not being tied to an idea-- YOU'RE FREE!! ENJOY IT! See what happens!

If there's a truck on fire, well, get an extinguisher and call the fire department. I mean, yeah, that's going to put a damper in the day but hopefully the fumes won't be too bad.  Ok, this one will sting a little but you'll bounce back.

5th studio session of new painting where I really attacked it

The thing that's always getting in the way for me is my health. I'm often dizzy, have a migraine, in pain somewhere in my body. Most of my days I just work through it, set a goal of keeping up appearances, and relish the moment I get to sit on the couch with my pup and a warm blanket. But I've got to get in the studio-- again, it's making time to do what I love. And the frustration/anxiety/pain/bliss-getting-through-it is what feeds those pieces. This week, I've dealt with power outages that made the studio way too cold to work in and dizziness/migraines/sciatica that just seemed like that truck on fire, barricading me from the studio.  But I still got in there. It did take some time. It took energy to push myself to do something I did not feel like doing. But I kept thinking of that moment when it gets better. When the pile transforms from something I don't like and want to end, to something I'm happy living with. Then there's the painting. ;)

New painting in progress-- I thought I'd photograph it at the end of each session because I'm always fascinated with the layers and evolution of a painting. This is an oil on linen and is 50x60" which is a very large piece for me. In the beginning of a painting, I usually have no idea where it's going; no plans, nothing. I just get out the paint and see what happens. When I talk to people about a finished piece I usually tell a story of all the phases it's gone through..."You should have seen the painting underneath this one-- it was so frustrating and I couldn't figure out where to go next so I just covered it with a new painting!"

Well, I'll try to document all phases of this one. The good, the bad, and the ugly. I can already see myself painting over this.

Current phase after the 3rd sitting:

I don't know where I'd be without the help of my husband-- in general and in framing support, too!  He's cut mats and framed all of the work for the CSA show and I am so happy that he loves doing the technical work because it's just too fussy for me.  Give him things to measure and cut and he's a happy fella.  But don't worry- I help him plenty with the photography for his Etsy shop.  So let's call it sort-of-even!  (I still think I've made out on this deal)


I'm still chugging along on creating new paintings for the upcoming shows and I think I'll just keep making work beyond any exhibition dates.  I've purchased many panels to paint on and have gessoed a whole bunch of them.  I love painting on a freshly gessoed board!

My friend Kim and I were accepted to a very exciting project with the Harlow Gallery in Hallowell, ME called CSA - Community Supporting Arts.  We were paired with a local farm, Wholesome Holmstead of Winthrop, ME,  and we are going to create a body of work based on our inspirations from the farmland, the farmers, and their community interaction.  We've visited the farm twice so far and have been having an amazing time.

We went back today, hoping to spend all day on the farm painting and taking photographs, but today's temperature and wind was just too much for us to handle!  We literally only lasted 10 or 15 minutes outside. We couldn't feel our fingers after taking our photo adventure.


So we went to the farm stand to purchase some food to take back to my warm studio and ran into our farmer who taught us about cheese making.

Kim's a great fiber artist and recently taught me how to weave. We first bonded with each other about being photographers so we thought this was a great way to combine our interests and connections. The idea is that we'll take tons of photographs over the seasons, focusing on how the farm and farmers are woven into their community. (all puns intended)   Our first joint effort -- a prototype/work-through sketch of a fiber and photography project we have in mind. These are photo transfers of farm images we have taken so far.  

I worked another session on this oil painting commission yesterday (and I secretly worked on it a little while ago, too! sshhh).  I laid some brighter colors on top of the dark underpainting and it's starting to have some more volume now.  

A progress photo of a new encaustic painting I started today. Part of my "Ghosts of the Past" series, this one features a great civil war image of Abe Lincoln visiting a camp.

This is my largest encaustic painting yet and I wanted to show the scale so I took this cheese-ball pic of me holding it :) This is just the first layer of paint and I've since added another-- this one's going to take a little bit longer than the rest! Fusing the layers is an arm aching experience but I still really enjoy it!

The top of the painting has a pink sky and the bottom, so far is a greyish green. I'm thinking of using alot of grey on top of the underpainting but I'll just have to see how things go! I love not having a plan and going with the flow- so to speak!

I've been commissioned by a dear old friend of mine to create an oil painting for her.  I'm so excited!  So I've stretched a new canvas and began priming it.  This picture above is of my favorite part of the prep stages-- I always brush on some water to release the sizing in the canvas and watch the water bead up-- I love it!  Then I brush it in really hard and get the canvas nice and taught.  Then I banged it like a drum!  What a great sound.  

This painting has decided to declair war against me!  I can see the General plotting it out now.  He thinks he's so smart and he had me in a corner for a long time.  But I finally pushed forward and I think I may have bested him.  Only time will tell.  I hope to meet him on the battlefield tomorrow.  There's much to do but I will stare him and his cronies square in the eye and charge towards him, Braveheart style!

Today I started working on 2 new paintings.  In a previous post I stated that I usually have a few pieces going on at the same time and that's no lie!  Currently. I have 3 encaustic paintings and 1 oil painting in progress.  The oil hasn't been touched in a while but it's still there staring at me jealously.  The encaustics include 1 that is waiting for the final step; still unsure how to proceed and finish my thoughts on him.  

I had a very productive day today! I made three new paintings!  These have tea leaves embedded into them and hatch marks actually hatched in-- more on that soon!  I painted these on thin plywood so I just need to build a support for the back and add hardware.  I know I should do that first but when the idea moves me, I just have to get to painting!