Showing posts with label civil war. Show all posts

New encaustic painting


The Tree Is the Real Thing
Encaustic & Mixed Media on wood
24" x 24"
April 2010

title from the quote: "Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing."
-Abraham Lincoln

I started this large encaustic painting in June of last year and I finally finished it today! What a great feeling to get this monkey off of my back :) Seriously though, I've had a good time trying out some new techniques and color schemes and trying to make it all meld.

I had known that I wanted to use this image but I wasn't sure where I wanted to go with it. It went through many lives, as I posted in an animated gif last year, and I finally pared it down to the elements that I thought it really needed. This was supposed to be another in the series of "Ghost of the Past" but it definitely has a different story than the others so I'm letting it into the world on its own.


Webcam heads up..

Heads up- I plan on setting up my webcam while I paint encaustic tonight- come check it out! I have a new series that I'm going to start working on- inspired by my painting below. They are still civil war focused but they'll be on long boards and looking more like mummies. I'm so excited! Hope it all works out tonight- I plan on turning on the webcam around 5:30pm. I'll update here when starting.
Live right now!
http://www.sweetlandretreat.com/blog.htm

Abe and Me- Progress


Abe and Me
Originally uploaded by Jamie Ribisi-Braley
A progress photo of a new encaustic painting I started today. Part of my "Ghosts of the Past" series, this one features a great civil war image of Abe Lincoln visiting a camp.

This is my largest encaustic painting yet and I wanted to show the scale so I took this cheese-ball pic of me holding it :) This is just the first layer of paint and I've since added another-- this one's going to take a little bit longer than the rest! Fusing the layers is an arm aching experience but I still really enjoy it!

The top of the painting has a pink sky and the bottom, so far is a greyish green. I'm thinking of using alot of grey on top of the underpainting but I'll just have to see how things go! I love not having a plan and going with the flow- so to speak!

Influences- Civil War photographs

My encaustic series, Ghosts of the Past, came about from my love of Civil War photographs. These images are so haunting and alive with emotion-- I'm entirely drawn to them and to the people in them.  Having a brother-in-law in the military, I have begun to wonder about the lives of these Civil War soldiers. What were their lives like before they went to war?  Who did they leave behind? Did they return to their families or did they die on the battlefield? Who were they and what were they thinking when these photographs were taken?

Looking into their eyes and judging their posture, I begin to imagine all the answers to these questions. Some are tired and worn out from a long struggle. Some are proud to be there and are filled with energy. Some men seem angry, others are pensive. These men are thinking of their wives, their children, and the lives that they may never return to. They are thinking of their brothers and friends that they are fighting alongside as well as against.  As I paint, I think about their mortality. I ponder these questions and try to express their emotions as I perceive them to be.

I'll never truly know the answers to these questions but I do know that, through the years and through the countless wars throughout the world, soldiers are always going through the same emotions that these men were facing. They are always living and fighting through unimaginable circumstances. Always guarded, perhaps we'll never know what they are truly feeling inside. Hopefully, a photographer is able to document their struggle as well and with as much humanity as the photographers of the Civil War so that we will never forget their anguish. So that we may begin to know these ghosts of the past.
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Photo Credit: Gen. George Thomas and a group of officers at a council of war near Ringgold, Ga., May 5, 1864. 77-HMS-344-2P.  National Archives, Civil War images.
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New Painting- Ghosts of the Past #5

Ghosts of the Past #5
Encaustic, Photographs, & Graphite on Cradled Birch
12" x 12" (30.48 cm x 30.48 cm)
January 2009

Not currently for sale, please inquire if interested.  (Photo credit: Gen. George Thomas and a group of officers at a council of war near Ringgold, Ga., May 5, 1864. 77-HMS-344-2P.)
(click inage to zoom, click title for details)

Finished this painting tonight!  I think this battle is over.  
So, as you can see in my previous post, I had glued down two images.  One was of these officers and the other was an image of clouds.  I wanted to cast a heavy storm above their heads and give these men an outward glow.  The General is given an iconic treatment.  

I don't normally like to talk too much about the symbolism and ideas behind my paintings, I like to just put them out there and see what people get from them.  I'm happy to discuss when prompted, though!

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The battle

This painting has decided to declair war against me!  I can see the General plotting it out now.  He thinks he's so smart and he had me in a corner for a long time.  But I finally pushed forward and I think I may have bested him.  Only time will tell.  I hope to meet him on the battlefield tomorrow.  There's much to do but I will stare him and his cronies square in the eye and charge towards him, Braveheart style!

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New Painting- Ghosts of the Past #4

I love when an idea works out better than expected!  I had this image which I pasted down yesterday (see last night's post) and had an idea of what I wanted to do with the officer's bodies but not sure about exactly how to incorporate the background.  The trees are what initially drew me to the image and I knew that I wanted to keep them in.  I wound up painting around them and then chasing after the lines with scraping/carving and drawing them in with charcoal.  

This painting, along with 1 or 2 more, will be submitted to a gallery show called "White, Black, & Shades of Gray."  I'm glad that I decided to do this and challenge myself by taking the "color" out.  Of course, I still mixed actual colors into the painting to give it depth.  Can't wait to get paint on the next board!  Hope this makes it into the show.  Wish me luck!

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Ghosts of the Past #4
Encaustic, Photograph, & Charcoal on Cradled Birch
12" x 12" (30.48 cm x 30.48 cm)
January 2009

Not currently for sale, please inquire if interested.
(click inage to zoom)

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Work in Progress

Today I started working on 2 new paintings.  In a previous post I stated that I usually have a few pieces going on at the same time and that's no lie!  Currently. I have 3 encaustic paintings and 1 oil painting in progress.  The oil hasn't been touched in a while but it's still there staring at me jealously.  The encaustics include 1 that is waiting for the final step; still unsure how to proceed and finish my thoughts on him.  


The other two are these 12 x 12 pieces.  I was printing out these images for a much larger painting and had the weirdest error with the ink.  The black decided not to work so these B&W photos wound up being printed with color ink only.  The result was sort of solarized and I thought that I could explore this further and see what I could make of it.  After all, I hate wasting paper!  I found the it opened me up to the way that I 'm using the photographs.  I'm picking and choosing the pieces that I want much more carefully and I'm excited to get some paint on these soon!

Looking closer- Ghosts of the Past 2, Encaustic Painting

Ghosts of the Past 2
Encaustic, embedded Photograph, & Grass on found wood

9.5" x 9"

September 2008


Available in my Etsy Shop or through JamieRibisi.com

Looking closer- a brief exploration of art:

This painting incorporates the technique of embedding objects in the wax. The grass and the photograph are both embedded and it's a pretty simple task!

First, I fused one layer of encaustic onto my substrate and fused it. Then I brushed encaustic medium onto the back of the image and a little bit on the area that it was heading to live and smooshed them together real fast. Using a flat tool, I got all of the air bubbles out and then layered another bit of medium on top of the image. Fuse and repeat the layers of medium until satisfied with the result.


The grass is done in a similar manner but takes a bit of adjusting the blades because they are so small and 
fragile. Embedding natural objects into wax is really fun because the material will change as it adjusts to the heat and to the wax. They tend to brown and dry out slightly as they sit in the pool of molten wax. Just like nature-- you never know what's going to happen and that's the best part of encaustic painting-- in my world, anyway!

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If you liked my little behind the scenes venture into painting, keep following my blog for the "Looking closer" series and learn what I do, how I do it, and why!

For the encaustic dreamers, I will also be creating a tutorial that will give you detailed in-depth tips, tricks, & techniques with lots of technical info so that you will feel safe and armed with the knowledge to feel comfortable creating your own beeswax art! I'll post it here once it's ready for sale (& some freebie opportunities, too!)


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