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Working Through -Artist Statement


Working Through  |  Jamie Ribisi-Braley
Solo Exhibit
Monkitree | April 4 - June 7, 2014


In my studio there are always at least two paintings going at the same time as well as some small oil sketches on paper or tiny canvases. I’ve never really liked to sketch- preferring, instead, to let the immediacy and searching show in the final painting. But I’m finding that these small pieces are helping me to work out the color schemes, composition, and movement while remaining finished pieces in their own right. At times, these sketches are actually made after I’ve already finished the larger painting - in a way it’s still working through the process.

And that is really the theme of this body of work: Working through it. Not giving up. Most artists can attest to the nagging feeling of giving it all up. Of feeling beat. Wanting to pack up the brushes. But this goes a bit further. As I’m working through the process, I’m also working through chronic pain that makes it difficult to be in the studio as much as I need to be. Namely, migraines dampen my studio practice and interfere with life in general. Working on these abstract pieces, full of turmoil and quick paced lines of repetitive mark making, is a way for me to work around the pain and let it all hang out.

The painting process is almost wishful thinking of how I want my health to be- having the authority to take something I don’t like and just paint over it. Whether it’s from layer to layer, reinventing the color and composition, or taking a previously finished painting and completely painting over it. Start fresh, take control, and have more energy. Searching for the point when it all feels better.

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Come see my first solo exhibit Working Through at Monkitree, 263 Water St, Gardiner, Maine
Opening Reception: Friday, April 4, 2014  5:30-9pm
Exhibit runs April 4 - June 7, 2014
Facebook Event page here

A Study in Green

Spoiler alert
I'm going to go a little out of order here because I have a lot to say and a lot that I'm working on. So I'm just going to post about each thing as it pops into my mind. That's just how I roll right now.

For my solo exhibit, Working Through at Monkitree, I've been making new paintings and also reinventing some old paintings by completely painting over them. It's quite liberating and I highly recommend it! It all ties in with my artist statement and I'll get to that in the next post.

I dug through my cabinets of old paintings (yes, cabinets) and found four that I just wasn't feeling the love for anymore. Here they are in all of their non-glory:

Now, let's focus on the one on the bottom left. That was called "Green Apples" and I painted it a few years ago for a group show at Monkitree. It seemed fitting to start with that one since I feel I owe it to the gallery to make a nice painting out of that one.

Green Crapples-- I mean, Apples
At the time I painted it, I sort of liked it and thought it might grow on me. It didn't.

The original painting was casein & wax pastels on paper mounted on board. So I immediately thought of using some cadmium green sketching oil paint and my oil sticks on top of it. The color choice was a reminder to me of what was underneath. Moving forward is important but remembering how you got there is key.

first new layer
After covering it completely, I started drawing into it with my oil bars.

starting some marks
Then I kept drawing and painting, drawing and painting, and I guess I got caught up in the moment (that is the best part, isn't it?) because I didn't take any more photos of the steps in between. Well, like I said, how you get there is key...but enjoying the ride is the goal.

finished!
When I look at this I think about piles. Piles of crap: worry, exhaustion, feeling like a pile. In thinking of a new title, one that is nicer than Piles of Crap (but that would be fun, too) and references the old title, I think I'm settling on Compost Pile. It's gritty enough. It's also about how you can take a pile of crap and turn it into something useful.


Come see my first solo exhibit Working Through at Monkitree, 263 Water St, Gardiner, Maine
Opening Reception: Friday, April 4, 2014  5:30-9pm
Exhibit runs April 4 - June 7, 2014
Facebook Event page here


Nielsen wood frames

Nielsen Wood Frame Kit - as purchased
Recently, I had 2 works on paper and a painting accepted into an exhibition "In the Shadows of the Mind" at Monkitree Gallery in Gardiner, ME (opening is this Friday, Sept 16th at 5:30pm).  I am beyond excited because these works on paper have never been exhibited in a gallery before and I can't wait to see how they are received.

But I was also very excited and a bit intimidated to venture into the world of framing.  I've framed before but I wanted to find an affordable frame that was easy to assemble and to exactly the right size.  I instantly thought of Nielsen frame kits, you know, the metal frames that many photographers use.  I love their simplicity but I don't like the coldness of the metal next to my paintings or drawings.  So I searched, and searched, and searched.  Nothing was affordable and nothing was exactly the right size.  These particular pieces are 15" square which is a little awkward for store-bought frames.  Then I came across something I was unfamiliar with, Nielsen's wood frame kits!  Exactly the warmth that I wanted, easy to assemble, and from a name that I trust.  They come in 3 colors: black, mahogany, or natural pine.

You purchase the kits by the interior size that you need-- each kit is a set of two sides so you will need to buy two kits per frame that you are looking to make.  In my case, I purchased 2 sets of 15" kits per frame.  (If you want an 8x10" frame you'd buy one kit that's 8" and one that's 10")

how the sides assemble
Each kit comes with two H shaped plastic pins that you insert into each mitered corner after putting a small amount of wood glue onto the mitered edges.  I found this fairly simple to do, out of the two frames that I made, one had a corner that didn't exactly match up but with a little finagling it was hardly noticeable.  The pins can be pushed in about half way by hand and then the rest of the way with light hammering of a mallet.

Blogger won't upload this in the correct direction.  What jerks.
So the only other things you'll need are: 1) glass cut to size; don't go by the size of the frame, there will be a fraction of an inch extra on each and I recommend assembling the frames and then measuring the size of glass that you'll need.  Most hardware stores will cut glass for you.  2) mat board; even if you are not showing the mat, you may want to still put it in there for support.  I recommend acid-free.  3) backing board; this will be visible from the back.  I used a thick black acid free mat board that went in after my mat board.  4) glazier points; again, available at the hardware store.  I got the ones that you can see above- they are shaped like a pointy heart and a raised edge on the metal, this makes it easy to push in the point with a flat head screwdriver.  5) d-rings or strap hangers with screws to tie the next item to 6) framing wire.

a full view of the back - I glued my business card to the back of the mounting board and wrote my title on it

finished products
And here are the finished products! The black frames did need to be touched up on the edges because you could see the natural color of the wood at each miter point.  Not too bad and easy to correct with a touch up pen.  I placed another order and am waiting for the natural pine frames, I think that'll look even better and not have the need to be touched up.  I'll report back!

Some additional specs:  The 1-1/8" rabbet accepts stretched canvas or matted or mounted art. Has a 3/4" face and 1-1/2" side depth.  Sits very nicely on a wall!

Where can you find the best price on these frames-- glad you asked because I found that out, too.  Jerry's Artarama had the best price I could find.

If you wind up using these or have used them in the past, let me know!  I'd like to know what you think of them.  I still don't love framing but this is inexpensive and relatively easy.

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